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Scene and Memory: Theatre, Poetry and Human Rights

March 25 All day

Theater, literature, music, and an invitation to open debates that help us think about how state terrorism was possible in this country, while reflecting on the horizons of Memory Sites from the perspective of art and culture, essential when thinking about a narrative of Memory that attempts to illuminate the desired present.

On March 16, the Center for Advanced Studies of the Faculty of Social Sciences of the National University of Córdoba will participate with the performance that premiered within the framework of Museum Night 2025:

This performative presentation (text and music) stems from an unfinished gesture: the book Gregorio Bermann wanted to write about Ernesto Che Guevara, which was never published. Far from proposing a traditional biography, Bermann imagines a polyphonic biography: a cantata of voices. Not a single voice, but many. Not a monument, but a tapestry. A patchwork of memories. The book is never published. Traces remain: letters, delays, silences, refusals, scattered pages. Thus, the stage becomes the space where the book finally comes into being—not as a printed object, but as a living act. The unfinished biography becomes an event. The voices that never quite came together on paper meet in the present. More than representing Che, the work represents the attempt to write him. More than closing a story, it opens one: like those mountains that, according to Bermann, grow in Che's shadow.

– Actress: Vanesa Salazar
– Musician: Fede Gaumet
– Production: CEA Library